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BOOK REVIEWS - ESSAYS etc.
The Life and Adventures of J. J. Audubon from The New York Times (6 December, 1868) AUDUBON THE NATURALIST. THE LIFE AND ADVENTURES OF JOHN JAMES AUDUBON, the Naturalist. Edited from materials supplied by his widow, by ROBERT BUCHANAN. London: SAMPSON LOW, SON & MARSTON. If the truth that science is cosmopolitan and knows no country, clime or language, needed any demonstration, it might be found in the career of the illustrious AUDUBON. A native of Louisiana, he traveled over nearly every part of this country, spending months and indeed years in England and France to promote the great object to which he devoted his life; and now his biography, edited by a Scotchman, ROBERT BUCHANAN, the poet, has just been published in London, and it cannot be long before it shall be reproduced here, not only as the last mark of respect to one of the greatest geniuses to which our country can lay claim, but to show to all who may be called on to struggle with adverse fortune that there are no obstacles which energy and perseverance, guided by an indomitable will, may not overcome. “When I awoke in the morning and made my rounds through the camp, I found a squaw had been delivered of beautiful twins during the night, and I saw the same squaw at work tanning deer-skins. She had cut two vines at the roots of opposite trees, and made a cradle of bark, in which the new-born ones were wafted to and fro with a push of her hand, while, from time to time she gave them the breast, and was apparently as unconcerned as if the event had not taken place. * * * * After a short time spent in Genevieve, AUDUBON became thoroughly wearied of business, and impatient to get back to his young wife who had come as far west as Hendersonville. ROSIER had married, and AUDUBON having sold out his interest to him determined to make his way across the country to Hendersonville. During this journey he met with the most thrilling adventure and the most narrow escape of his life. The story has, we believe, been told in substance before, and has probably been the basis of numerous dime novels and magazine narratives, but it is worth repeating, since the chief part shall be given in AUDUBON’S words. One night as he was making his way across a prairie near the Upper Mississippi, he sought shelter in a log hut, the only inmates of which were a muscular and repulsive-looking woman and a young Indian who had sought assistance there after having, by accident, nearly put out one of his eyes. AUDUBON chanced to let the woman get a glimpse of his watch, which was of rare workmanship, and the sight of it at once aroused her cupidity. Letting her take it to examine, he only managed to get possession of it quietly by a ruse, and not until the Indian had endeavored by pantomime to draw his attention to certain suspicious actions on the part of their hostess. Going out of the hut AUDUBON slipped a ball into each barrel of his rifle, picked the locks, and returning, called his faithful dog to his side, threw himself down upon a few bear skins, and feigned sleep. The rest of the story shall be told in his own words. He writes: “A short time had elapsed when some voices were heard, and from the corner of my eyes I saw two athletic youths making their entrance, bearing a dead stag on a pole. They disposed of their burden, and asking for whisky helped themselves freely to it. Observing me and the wounded Indian, they asked who I was, and why the d—l that rascal (meaning the Indian, who, they knew, understood not a word of English,) was in the house? The mother, for so she proved to be, bade them speak less loudly, made mention of my watch, and took them to a corner, where a conversation took place, the purport of which it required little shrewdness in me to guess. I tapped my dog gently, he moved his tail, and with indescribable pleasure I saw his fine eyes alternately fixed on me and raised towards the trio in the corner. I felt that he perceived danger in my situation. The Indian exchanged the last glance with me. Western Kentucky was then, possibly because the country was not “well settled,” troubled, as California is now, with earthquakes. The effect produced by the phenomenon is thus graphically described: “In the month of November the naturalist was riding along on horseback, when he heard what he imagined to be the distant rumbling of a violent tornado. ‘On which,’ says he, ‘I spurred my steed, with a wish to gallop as fast as possible to the place of shelter. But it would not do; the animal knew better than I what was forthcoming, and instead of going faster, so nearly stopped, that I remarked he placed one foot after another on the ground with as much precaution as if walking on a smooth sheet of ice. I thought he had suddenly foundered, and, speaking to him, was on the point of dismounting and leading him, when he, all of a sudden, fell a groaning piteously, hung his head, spread out his four legs, as if to save himself from falling, and stood stock still, continuing to groan. I thought my horse was about to die, and would have sprung from his back had a minute more elapsed; but at that instant all the shrubs and trees began to move from their very roots, the ground rose and fell in successive furrows, like the ruffled waters of a lake, and I became bewildered in my ideas, as I too plainly discovered that all this commotion in nature was the result of an earthquake. I had never witnessed anything of the kind before, although, like every other person, I knew of earthquakes by description. But what is description compared with reality? Who can tell of the sensations which I experienced when I found myself rocking, as it were, upon my horse, and with him moved to and fro like a child in a cradle, with the most imminent danger around me? The fearful convulsion, however, lasted only a few minutes, and the heavens again brightened as quickly as they had become obscured; my horse brought his feet to the natural position, raised his head and galloped off as if loose and frolicking without a rider. While residing at Hendersonville one misfortune after another overtook AUDUBON. His father died, and as he did not learn of the sad event for nearly a year, he lost, through the failure of a merchant in Richmond, Va., the sum of $17,000, which had been deposited with him by the elder AUDUBON for the benefit of his son. One unfortunate business venture followed another until hardly anything was left him but his sick wife, his gun, his dog and his skill in drawing with his knowledge of dancing, fencing, &c. Still his courage did not for a moment desert him. Foiled in one place he left it for another. From Kentucky he went to Cincinnati, where he was for a time curator of the Museum, and thence down the Mississippi to Natchez and New-Orleans. His diary during this time gives us most graphic sketches of every phase of Western life, with accounts more or less detailed of notabilities with whom he was now and then thrown in contact. Of RAFINESQUE, the eccentric naturalist, he tells this odd incident: “After a day’s pursuit of natural history studies, the stranger was accommodated with a bed in an attic-room. We had all retired to rest; every person, I imagined, was in deep slumber save myself, when of a sudden I heard a great uproar in the naturalist’s room. I got up, reached the place in a few minutes, and opened the door, when, to my astonishment, I saw my guest running about naked, holding the handle of my favorite violin, the body of which he had battered to pieces against the walls in attempting to kill the bats which had entered by the open window, probably attracted by the insects flying around his candle. I stood amazed, but he continued jumping and running round and round until he was fairly exhausted, when he begged me to procure one of the animals for him, as he felt convinced they belonged to a ‘new species.’ Although I was convinced of the contrary, I took up the bow of my demolished cremona, and administering a smart tap to each of the bats as it came up, soon got specimens enough. The war ended, I again bade him good night, but could not help observing the state of the room. It was strewed with plants, which had been previously arranged with care. He saw my regret for the havoc that had been created, but added that he would soon put his plants to rights—after he had secured his specimens of bats.” Of another eccentricity, a painter, whose name is not given, but whose oddities fascinated AUDUBON, we have this amusing sketch. “His head was crowned with a straw hat, the brim of which might cope with those worn by the fair sex in 1830; his neck was exposed to the weather; the broad frill of a shirt, then fashionable, flopped about his breast, while an extraordinary collar, carefully arranged, fell on the top of his coat. The latter was of a light green color, harmonising well with a pair of flowing yellow nankeen trousers and a pink waistcoat, from the bosom of which, amid a large bunch of the splendid flowers of the magnolia, protruded part of a young alligator, which seemed more anxious to glide through the muddy waters of a swamp than to spend its life swinging to and fro among folds of the purest lawn. The gentleman held in one hand a cage full of richly plumed nonpareils, while in the other he sported a silk umbrella, on which I could plainly read ‘Stolen from I.,’ these words being painted in large white characters. He walked as if conscious of his own importance; that is with a good deal of pomposity, singing, ‘My love is but a lassie yet;’ and that, with such thorough imitation of the Scotch emphasis, that had not his physiognomy suggested another parentage, I should have believed him to be a genuine Scot. A narrower acquaintance proved him to be a Yankee; and anxious to make his acquaintance, I desired to see his birds. He retorts, ‘What the devil did I know about birds?’ I explained to him that I was a naturalist, whereupon he requested me to examine his birds. I did so with some interest, and was preparing to leave, when he bade me come to his lodging and see the remainder of his collection. This I willingly did, and was struck with amazement at the appearance of his studio. Several cages were hung about the walls, containing specimens of birds, all of which I examined at my leisure. On a large easel before me stood an unfinished portrait, other pictures hung about, and in the room were two young pupils; and at a glance I discovered that the eccentric stranger was, like myself, a naturalist and an artist. The artist, as modest as he was odd, showed me how he laid on the paint on his pictures, asked after my own pursuits, and showed a friendly spirit which enchanted me. With a ramrod for a rest, he prosecuted his work vigorously, and afterward asked me to examine a percussion lock on his gun, a novelty to me at the time. He snapped some caps, and on my remarking that he would frighten his birds, he exclaimed, ‘Devil take the birds, there are more of them in the market.’ He then loaded his gun, and wishing to show me that he was a marksman, fired at one of the pins on his easel. This he smashed to pieces, and afterward put a rifle bullet exactly through the hole into which the pin fitted.” During the vicissitudes through which he passed at this period, he was nobly sustained by his self-sacrificing wife, who secured a position as governess in one or another of the families of wealthy Southern planters able to remunerate her well for her valuable services. AUDUBON had all the while been prosecuting the subscription which was to enable him to bring out his great work on ornithology, and, after securing three hundred names in this country, determined to go to England and take further subscriptions and get the plates under way, and he accordingly sailed from New-Orleans for Liverpool, in April, 1826. “I have balanced my accounts with the Birds of America, and the whole business is really wonderful; $40,000 have passed through my hands for the completion of the first volume. Who would believe that a lonely individual, who landed in England without a friend in the whole country, and with only sufficient pecuniary means to travel through it as a visitor, would have accomplished such a task as this publication! Who would believe that once in London, AUDUBON had only one sovereign in his pocket, and did not know of a single individual to whom to apply to borrow another, when he was on the verge of failure, in the very beginning of his undertaking; and above all, who would believe that he extricated himself from all his difficulties, not by borrowing money, but by rising at 4 o’clock in the morning, working hard all day, and disposing of his works at a price which a common laborer would have thought little more than sufficient remuneration for his work? ‘To give you an idea of my actual difficulties during the publication of my first volume, it will be sufficient to say, that in the four years required to bring that volume before the world, no less than fifty of my subscribers, representing the sum of $56,000, abandoned me! And whenever a few withdrew I was forced to leave London and go to the provinces to obtain others to supply their places, in order to enable me to raise the money to meet the expenses of engraving, coloring, paper, printing, &c.; and that with all my constant exertions, fatigues and vexations, I find myself now having but 130 standing names on my list.” On Sept. 3, 1831, AUDUBON again landed in New-York, and soon after went to Florida, where he had determined to spend the Winter. The “Live Oakers,” “Deer Hunting,” “The Wreckers,” “The Touters,” &c., furnish the material for graphic and thrilling sketches to which we can only allude. In August of the following year, with his wife and two sons, he made a journey into the State of Maine, thence through New Brunswick to Labrador, where he spent a summer. A visit to Florida was proposed, but abandoned, for the winter of 1833-34, and in April of 1834 he returned to London with his wife and sons. Soon afterward he called on Baron ROTHSCHILD with proper letters of introduction, hoping to secure his subscription to the Ornithology. He writes: “Soon a corpulent man appeared, hitching up his trousers, and a face red with the exertion of walking, and, without noticing any one present, dropped his fat, comfortable body into a chair, as if caring for no one else in this wide world but himself. While the Baron sat, we stood, with our hats held respectfully in our hands. I stepped forward and with a bow tendered him my credentials. The banker opened the letter, read it with the manner of one who was looking only at the temporal side of things, and after reading it said; ‘This is only a letter of introduction, and I expect from its contents that you are the publisher of some book or other and need my subscription.’ Had a man the size of a mountain spoken to me in that arrogant style in America, I should have indignantly resented it; but where I then was it seemed best to swallow and digest it as well as I could; so in reply to the offensive arrogance of this banker I said I should be honored by his subscription to the Birds of America. ‘Sir,’ he said, ‘I never sign my name to any subscription list; but you may send me your work and I will pay for a copy of it. Gentlemen, I am busy, I wish you good morning.’ We were busy men, too, and so bowing respectfully, we retired, pretty well satisfied with the small slice of his opulence which our labor was likely to obtain.” The point of this interview was in its result. Several numbers of the Birds of America were sent to the Baron by AUDUBON and after eight or ten months a bill for £100 was presented. “The Baron” writes AUDUBON, “looked at it with amazement and cried out, ‘What, a £100 for birds! Why, Sir, I will give you £5, and not a farthing more,’” and since the naturalist did not regard that amount of the Baron’s money as worth a £100 from any one else he was compelled to take back the numbers delivered. _____
The Land of Lorne: including the cruise of the ‘Tern’ to the Outer Hebrides from The Scotsman (28 March, 1871 - p. 2) THERE is a general understanding that people had better not talk of things they don’t understand, or offer instruction in matters whereof they are ignorant; and it is also understood that it is better to refrain from saying anything insulting or even disagreeable, unless in the discharge of duty, or for the attainment of some worthy and adequate end. Both of these rules of good conduct seem to have been forgotten, or at least have been violated by Mr Robert Buchanan, poet, who, in a book dedicated to the Princess Louise, “with Her Royal Highness’s express permission,” volunteers to initiate Her Royal Highness in the art and mystery of Highland farming, gives a deplorable picture of the wrongs and misery of the people among whom the royal bride is to live, and climaxes by denouncing her father-in-law as the chief of oppressors and depopulators. Now, even if all this were true, “yet we would hold it not honesty to have it thus set down”—set down in such a form and on such an occasion. But, as all this is nonsense, the offence is multiplied—it is an offence not merely in taste, but in truth, arithmetic, and common sense. Mr Buchanan has put himself in a position to realise to some extent the force of Dryden’s lamentation— “To die for treason is a common evil, This, it is true, is no hanging matter—Mr Buchanan is not treasonable, and now-a-days they do not hang for nonsense, nor indeed for treason either. Moreover, Mr Buchanan is not a fit subject for anything like condign punishment—he writes not to make mischief, but only to make sentences; and his sentences so repeatedly rebuke one another, so making himself do justice upon himself, as to leave little scope to those whose business it is to look after transgressors. ___
The Land of Lorne: including the cruise of the ‘Tern’ to the Outer Hebrides from The Scotsman (13 April, 1871 - p. 6) Literature THE LAND OF LORN; including the Cruise of the Tern to the Outer Hebrides. By Robert Buchanan. London: Chapman & Hall. A PRELIMINARY chapter to this book which Mr Buchanan has written has already been discussed in these columns, and not favourably. It deals with the alleged depopulation of the Highlands, and charges the Duke of Argyll with having done as much as any man living to bring about that depopulation. Seeing that the book is dedicated to the Princess Louise, the taste of this might very well be questioned, and would be worth more notice, were it not that some of our young poets use habitually a strange licence not merely with regard to poetry, but to facts and other matters, including taste. But when the first chapter of the book has been read and forgotten—or, what is better, skipped—what follows can only please. Now and then, perhaps, the reader may be amused by the egotism of the writer; but it can scarcely be said to detract from the interest of the volumes. They contain a description not merely of the Land of Lorn, but of Skye and the Outer Hebrides, written by no means in the ordinary guide-book style, but with a wealth of poetic picturing and a fervour of admiration that can hardly fail to warm the imagination of even the coldest. Mr Buchanan seems to live at Oban, and he gives most delightful sketches of that gloriously beautiful spot— “Patens Oban maris in recessa as Professor Blackie sung of it the other day. Yet Mr Buchanan’s first experience of the place was not such as to create any strong liking for it. He says:— ‘My heart leaps up when I behold The Iris comes and goes, and is indeed, like the sunlight, ‘a glorious birth’ wherever it appears; but for rainbows of all degrees of beauty, from the superb arch of delicately-defined lines that spans a complete landscape for minutes together, to the delicate dying thing that flutters for a moment on the skirt of the storm-cloud and dies to the sudden sob of the rain, the wanderer knows no corner of the earth to equal Lorn and the adjacent isles.” ___
The Land of Lorne from The New York Times (8 November, 1871) THE LAND OF LORNE. BY ROBERT BUCHANAN. New York; FRANCIS B. FELT & CO. While Englishmen, with the restless energy peculiar to the Anglo-Saxon race, are searching in almost every country under the sun for pleasure and adventure, they have oddly enough, it seems, neglected their own island; for Mr. BUCHANAN says: “How little do men know of the wonders lying at their own thresholds! Within two days’ journey of the Great City lie these Hebrides, comparatively unknown, yet abounding in shapes of beauty and forms of life as fresh and new as those met with in the remotest islands of the Pacific.” We must make due allowance for Mr. BUCHANAN’S enthusiasm, however; whatever he is brought in contact with he sees with a poetical insight, and his prose is as rich and imaginative as his verse. The volume before us is a detailed account of a trip in a very small yacht through the islands on the west coast of Scotland, of which but little has been written since Dr. JOHNSON visited them, if we except the account given in SCOTT’S Lord of the Isles. Difficult of access, and on this account out of the beaten track of commercial intercourse, these islands still retain the customs and manners of life of two centuries ago. In the Outer Hebrides nearly every house has a spinning-wheel or loom, and it is by means of these that the entire community are supplied with clothing; yet this is within 500 miles of the greatest manufacturing centre in the world. The houses in which all but a few of the wealthier inhabitants live, are of the rudest description, being built of turf, and divided into two rooms, and held in common by the family and animals. The people, though staunch Catholics, are, like all the half-civilised races of the North, firm believers in witchcraft and its attendant superstitions, which has given a sad cheerlessness even to the expression on their faces. Nothing can be more vivid than Mr. BUCHANAN’S descriptions of Northern scenery. _____
The Hebrid Isles: wanderings in the Land of Lorne and the Outer Hebrides from The Scotsman (5 December, 1882 - p. 3) The Hebrid Isles. Wanderings in the Land of Lorne and the Outer Hebrides. By Robert Buchanan. A New Edition. London: Chatto & Windus. It has not been given to all to combine in a high degree the imaginative and the logical faculty. It has not, for instance, been given to Mr Robert Buchanan. He has an enthusiastic appreciation of the natural beauties of the Highlands, and can describe them with great wealth of poetic diction; but he cannot bestow sound advice on Highlanders. He has done well to republish, in a cheap form, and under another name, his Land of Lorne, which first appeared ten years ago. To such as know the West Highlands, and to those who have still that pleasure in store, there is real delight in following the “Tern” in her cruise among the islands of the Hebrides and into the recesses of the west coast firths and sounds, and to have the wailing voice of, and the spirit of, the misty mountains interpreted for us by so impassioned an admirer as Mr Buchanan, more especially when the strain of listening to his Ossianic rhapsodies is relieved by interludes, in which we have capital renderings of Highland song and legend, and snatches of conversation with shepherds, fisher folk, sailors, and pipers. It would be too much, perhaps, to grant his modest claim that, partly through the publication of these sketches, “the Scottish novel has taken a new departure, and many brialliant romances have familiarised southern readers with some of the scenes described in his Highland wanderings;” for it is, of course, open to question whether the romances in question have owed their origin to original inspiration from the scenes themselves, rather than Mr Buchanan’s description. Still, it is true, as he says, that the Outer Hebrides, with their wild scenery and associations, remain, comparatively speaking, “virgin ground for the poet and the novelist;” and, possibly, he is right in holding also that “the Celtic character is still little understood.” It may humbly be hoped that Mr Buchanan’s understanding of it is a mistaken one. In this edition he has relegated to the limbo of an appendix his former dedication to the Princess Louise—a piece of composition in such dubious taste that its appearance might have been spared altogether—and he has dedicated the book afresh to “The Crofters of the Island of Skye, whose “uprising against oppression,” he says, “is, just as surely as the might uprearing in Ireland, a precursor of a revolution which must come— when the cruel ‘clearances’ will be avenged, and when the blood shed wholesale in the glens will form the sacrifice of a new and happier dispensation.” In writing in this strain, Mr Buchanan, perhaps, like other “friends of the Highlander,” has spoken in haste, rather than from a spirit of deliberate mischief. Nevertheless, such language, addressed to ignorant and passionate men, is highly mischievous, and is the more censurable that the author of it does not expose himself to the penalties of the resistance of the law and the “bloodshed” which he commends. _____
A Look Round Literature from The New York Times (17 April, 1887) A VIGOROUS CRITIC. A LOOK ROUND LITERATURE. By ROBERT BUCHANAN. New York: SCRIBNER & WELFORD. 1887. Mr. Robert Buchanan has distinguished himself in verse, prose fiction, and the drama, so that what he has to say about the writers of his time will receive attention. As a dramatist he has failed; as a poet he has produced a number of beautiful works which have not, however, succeeded in placing him in the front of the bardic tribe. Perhaps in his romance, “The Shadow of the Sword.” a novel reflecting the spirit of Victor Hugo, he has accomplished the most vigorous and absorbing piece of work of all; certainly none of the seven other prose books and none of his books of verse have received so much appreciation. “A Look Round Literature” contains articles reprinted from the periodicals of the day, and owes most to the fact that Mr. Buchanan has the Scottish faculty of hitting hard without fearing that he makes himself disagreeable. With his quarterstaff he lays about lustily, and is never so happy as when he can hear the pates crack under his blows. There is an Irish quality in Mr. Buchanan, the Irish love of a fight, but his is a humor much less good tempered than that of the typical Irish fighter. He lacks wit and the jovial temperament. “The Character of Goethe” is an arraignment of the great German from the side of morals which will grieve all Teutons who have not placed themselves irrevocably and with bitterness on the Schiller side in the perennial discussions as to the genius of the two authors. For Mr. Buchanan has the audacity to question further the genius of Goethe, after explaining his utter selfishness and inability to appreciative love in a great sense. Thus, after jilting Frederika Briou, in order to build higher the pyramid of his existence: “My own belief is that this pyramid building was an afterthought, used by Goethe in fighting with his own sense of moral littleness. The simple truth, as I believe it to have been, is that Goethe’s conduct was far less owing to tremendous calculations of self-culture than to simple want of earnestness in any of the concerns of life, added to a tremendous æsthetic horror of that most unpicturesque of all things—matrimony as practiced in modern Germany. Throughout his whole career he never allowed any one feeling to strike deep root. He carefully watered his sentiments, trained his virtues, (such as they were,) daintily enjoyed his tastes—made, in fact, a sort of back garden of his affections, whither he could retire without any danger of being bored by the world, and where all was fine weather and perfect shade. * * * He loved pretty women and light women—he would even go to the length of temporarily adoring them to distraction—but his appetite was satisfied with sipping and he seemed never to desire like rasher lovers for full possession. Marriage thus repelled him on the æsthetic side and we scarcely wonder, seeing what sort of wives would have been made of any of these women typified in his heroines. * * * Then, again, he had ascertained at a preternaturally early age (and this, by the way, is a fact so unusual and strangely unnatural that it looks not only like genius but diablerie,) that every additional human tie, however delightful in the forming, is a source of anxiety and irritation. He feared responsibility not because he lacked strength, but because he was a moral coward.” Superficial because incomplete criticism of this kind on the character of Goethe is oftener seen in French than in English because the conservatism of English-speaking people has kept up the impetus given by Coleridge, Carlyle, and other worshippers of German literature earlier in the century. It is well to hear it as representative of the other side of the medal. “A note on Lucretius” is aimed especially at Dr. Tyndall, but is more effective in recalling the ancient and mediaeval guesses at the truths to which we have come a little nearer in this century with doctrines of evolution than in gainsaying anything written or said by Darwin, Huxley, and Company. “The Irish National Poet” takes up that charming little butterfly Tom Moore on the tip of the spear of Goliath, and leaves nothing of him—very pleasant reading, doubtless, to rabid Nationalists, who cannot forget that Moore exiled himself from the island whose champion in verse and prose he attempted to be, but not a remarkably fair statement of his case. Very charming, on the other hand, is the account of an interview with Shelley’s friend, the novelist Thomas Love Peacock, author of “Headlong Hall,” “Crotchet Castle,” and other satirical books which foreran Mr. Mallock and his “New Republic.” In “Flotsam and Jetsam” the eye catches an amusing bit of naïveté from Mr. Buchanan like this, showing that he does not suspect that the mirror might be turned his way and his own portrait take that of Mr. Anthony Trollope. “Yet I read in a newspaper the other day that Trollope considered Reade (Charles) almost a genius! *** Trollope, whose art was the art of Count Smorltork plus the pathos of vestrydom, Trollope, who could write a book about the West Indies without putting into it one poetical thought or line, passes judgment on a literary giant and pronounces him a genius—almost!” The articles which will give most enjoyment are those on “The Modern Stage,” for Mr. Buchanan has had parlous adventures in that field, and lays on with Scottish claymore like a true descendant of Roderick Dhu. Whatever may be said of the imperishability of the judgments given ex cathedra in this collection, whatever may be said regarding the English in which they are conveyed, nobody can deny liveliness and extreme “readableness” to Mr. Buchanan’s formulation of his likes and dislikes, his whims, literary opinions and religious views. ___
A Look Round Literature from Catholic World (Vol. 45, Issue 267, June 1887 - pp. 418-419) A CHAT ABOUT NEW BOOKS Mr. Robert Buchanan’s A Look Round Literature (Scribner & Welford) is, as might have been expected from the author’s previous reputation, impudent, superficial, and impertinent. Inflated rhetoric is necessary, in Mr. Buchanan’s opinion, to divert the reader’s attention from the fact that he has nothing to say. Prometheus is as quickly coated with Mr. Buchanan’s wash of words as Victor Hugo, Ouida, Æschylus, and George Eliot! A talk with the latter is included in the volume. To report the conversation of a dead person, one ought to have a thoroughly reliable memory and a thoroughly unimpeachable reputation. The dead are always wrong in a dialogue with the man who lives to report it. How few of us could resist the temptation to make ourselves more clever than we were in the presence of a celebrity! How easy it is to polish a repartee that might have been uttered, had we thought of it! It will be seen how in this dialogue —which is a good sample of the turgidity of the book—“myself” shines. Miss Evans, Mr. Lewes, and Mr. Buchanan were the persons present: “George Eliot. We are absolutely the creatures of our secretions. So true is this that the slightest disturbance of the cerebral circulation, say a temporary congestion, will pervert the entire stream of moral sentiment. It is very pitiful, if George Eliot said it. But, notwithstanding what the spicy Mrs. Carlyle calls her masquerading as an “improper woman” and her hopeless theories, the expression “absolutely true” seems to be a positive touch of Mr. Buchanan’s. George Eliot, so far as we can judge from her books, did not refuse at least to acknowledge the inexplicable “psychic phenomena” of which Lewes is made to speak. A Look Round Literature is a book to be avoided. Evil communications corrupt good manners. We have lately heard of a scholar who has permission to read his breviary in Greek, to prevent any injury to his Ciceronian style. Similarly A Look Round Literature should be avoided, for fear that a good literary taste should be even slightly injured by the influence of Mr. Robert Buchanan. Maurice F. Egan _____
On Descending into Hell: a letter addressed to the Right Hon. Henry Matthews, Q.C., Home Secretary, concerning the proposed suppression of literature from The New York Times (4 August, 1889) LITERATURE IN CHAINS ROBERT BUCHANAN’S PLEA FOR VIZITELLY. A NEW PHASE OF THE MOVEMENT FOR FREEDOM IN LITERARY MATTERS— LONDON, July 24.—It is a familiar saying that the English are neither an artistic nor a literary people. All the Continental races hurl this commonplace of reproach at their British cousins on the slenderest provocation. Even Taine, whose study of English literature is a monument alike to himself and his subject, somehow manages to suggest an inner consciousness that English writers have been a species apart from their fellows, an alien and exotic growth in the garden of conventional and pharisaical dullness. The Englishman, as a type, in turn rather regards this foreign view of him in the light of a compliment. He is proud of a good many possessions, tangible and otherwise, and in truth it must be admitted that he has more to be proud of than most of his neighbors; but deep down in his heart he values most of all the universally conceded fact that he is a practical, slow-going, tenacious, conservative sort of man, with no tendencies to flippancy and very little nonsense about him. He likes to think of himself as always fighting against odds. He smiles when caustic visitors comment on the stupidity of this, that, and the other thing they find in England—and the smile is meant to convey his satisfaction at the thought that, in spite of this historic stupidity, England has gone up to the top of the tree and maintained her place there against all comers. The despairing gibe of the foreigner, “Those English haven’t intelligence enough to know when they are beaten,” has the place of honor in his national scrap book of comments on him by outsiders. His pride is to be the one man in the world who guides his actions by common sense. Other peoples—less substantial races—are ruled by perception, by logic, by feeling, by their impulses, their likes and dislikes, but the Englishman believes that he has a monopoly of common sense, just as he has of Burton ales and mixed pickles and machine guns that jam when they get into action. * * Naturally, the literary temperament does not flourish on this hard-baked soil. The Englishman, still speaking of the race type, has no desire to be regarded as literary. His great-grandfathers thought. that Johnson, Goldsmith, Nat Lee, and the rest were low pothouse scribblers, whose lives were one long device to get along without respectable employment—just as their ancestors in turn saw nothing in Shakespeare but a play-acting fellow, of whose goings and comings it was not worth any sensible man;s while to take note. So to-day this proud islander acquiesces in the existence of a writing class in his midst, but does not care to know more about them, and values the printing press chiefly as the agency which supplies him with news about the cricket matches and the horse races and the designs of the Russians upon his Indian Empire. When Matthew Arnold dies not an additional paper is sold in London. But the death of Archer the jockey throws every English town into a state of excitement, and extra editions race hot from a hundred presses in the vain effort to supply the popular dumand. * * This much by way of preface to a curious agitation now working its way slowly through what may be called the literary circles of London. There are very many of these little circles, revolving each on its own axis in a semi-covert way, but their motive power is more often the jealousy of exclusiveness than any impersonal desire to keep a sacred flame ablaze. The chances of contact among these various circles are * * There is now a first-class misdemeanant in Holloway Jail, a venerable man whose offense is that he has published English translations of Emile Zola’s books. Henry Vizitelly, now seventy years of age, has spent his whole life in the service of art, journalism, and literature. His father was a book printer, and Henry, as a boy, learned the trade of wood engraving. He was in at the beginning of the Illustrated London News, and after some years of good work there, started publishing on his own account.He introduced “Uncle Tom’s Cabin” and the works of Poe to English readers. He brought out the famous illustrated editions of Longfellow’s “Evangeline” and “Hyperion,” with the now world-familiar pictures by Sir John Gilbert and Birket Foster. He founded a weekly illustrated paper, and personally bore the brunt of the fight which ended in the abolition of the newspaper stamp impost. He went through the Franco-German war, the siege of Paris, and the Commune as the correspondent of the Illustrated London News. He has written several admirable books, and now again for nearly ten years has been one of the well-established publishers of London. He is in prison, as I have said, on a three months’ sentence for including in his publications some fairly literal and extremely clever translations from Zola. * * Of the extensively-signed memorial for his release I cabled last week. A more recent development of the movement is a pamphlet of some forty pages, written by Robert Buchanan and printed by Redway, but not, of course, issued to the trade in the ordinary commercial channels. W. H. Smith & Sons, who control the railway and general minor bookstalls, and Mudie, who rules over the libraries, would not dream. of countenancing its circulation. The pamphlet is called “On Descending Into Hell,” and is in the form of a letter addressed to Henry Matthews, the present Tory Home Secretary. Mr. Buchanan is very much in earnest, and here and there throughout his long diatribe against “the proposed suppression of literature,” it is possible to pick out effective arguments expressed tersely and with vigor. But the pamphlet as a whole is a somewhat melancholy comment on the “literature” which its author is supposed to represent. He had a strong case, and he muddles it into a meaningless one. He begins by addressing the Home Secretary thus: “You are, I understand, a Roman Catholic; I am a Catholic plus an eclectic. I have the highest respect for the creed in which you believe, since it is perhaps the most logically constructed of all human creeds; but while I admire the logic, I do not admit all the premises, and cannot consequently follow you to all the conclusions.” There are two more pages of this sort of thing, with allusions to the Church having burned Bruno, and some obscure talk about Calvin. What the Catholic communion has to do with Zola and Vizitelly, in the mind of the author, one does not learn for fifteen pages. Then Mr. Buchanan develops the theory that Rome, while intolerant toward spiritual schismatics, has always been very complacent in the matter of secular pornography. To quote again: “One of her most logical postulates, indeed, has been that man is evil by inheritance and by predisposition, and that only by faith, by spiritual knowledge, can he be saved. Hence her gentleness to the literature of heathendom, her complacency in dealing with purely human art and letters. While preserving the Christian documents, she was quite content to leave humanity its Sappho, its Lucretius, its Juvenal, its Catullus, even its Aristophanes. For though she was persuaded to make short work of schismatics, who after all have little knowledge of life, she was ever kindly to the poets, the most incontinent of whom knew life thoroughly. She went with Dante into hell, and she ascended with Calderon up to Heaven, but loving also her cakes and ale, she preserved the gaudriole (Anglice; smutty joke) for the amusement of her monks. * * * Far less human and sympathetic has been her gloomy half-sister, Protestantism,” &c. * * The idea of seriously appealing to the Home Secretary to step forward as a Catholic and vindicate the historic claim of his Church to be the protector of indecent literature could surely have occurred to no one but a Scotchman. And he really seems to pin more faith upon this phase of his argument than on the intelligent plea that Zola is an earnest worker in the field of social analysis, and has as much right to be printed, translated, read, as any preacher of them all. This is the ground which English writers who have expressed an opinion seem to take, and it is quite conceivable that out of this prosecution, covering as it does a period during which the ferment of Ibsen’s strange, strong work has begun visibly to work upon the English literary mind, some definite advance may come in the direction of English literary freedom. But this advance, if it does come, will scarcely have been assisted by Robert Buchanan’s pamphlet. * * Speaking of Buchanan, although he has been in evidence here for a long time, writing poems and novels and producing plays with more or less success, he is still most frequently thought of as the subject of one of Edmund Yates’s most characteristically savage attacks. When Buchanan first came down from Scotland and looked about for friends and employment, he was taken up by Yates, who is the best-hearted man alive to those he likes, and the enemy most to be feared in Christendom. Years later, Buchanan in some way failed to requite the kindness he had experienced and managed, I forget just how, to anger his whilom benefactor. The scoring which he received in the World is still a sort of text-book of complete and merciless excoriation among London journalists. One sentence only lingers in my memory. Edmund Yates, after recounting how his midday meal was interrupted by the arrival of the needy Scotchman, and detailing his earliest impressions of his visitor, wrote: “I gave him food for his belly and sulphur for his back.” These words will be remembered when everything Buchanan ever wrote is dead. HAROLD FREDERIC. _____
The Coming Terror, and other essays and letters from The Times (16 April, 1891 - p.10) THE COMING TERROR, and other Essays and Letters, by Robert Buchanan (Heinemann). The strength of Mr. Robert Buchanan’s opinion is well known—better known, indeed, than his opinions themselves. His own account is that he is a moderate individualist, who defends freedom with one hand and the reasonable conventions of society with the other—a very commendable attitude, in principle. How far this principle accounts for all his furious onslaughts upon things and persons it would take some time to discuss; but there is certainly something in Mr. Buchanan’s rather cross-grained mood which suggests the idea of a bull which lives in a phantasmagoria of red rags. All that can be affirmed is that some of the objects of this critic’s aversion—Socialist levellers, mouchard journalists, municipal meddlers, Ibsenite emancipators of society, and others—well deserve the caustic things he says of them; while in one and all of his sallies, whether extravagant or not, he displays an exuberance of pungent expression that is itself enough to secure the amused attention of the reader. Back to the Bibliography or The Coming Terror _____
The Truth about the Game Laws: a record of cruelty, selfishness, and oppression. By J. Connell, Poacher, with a preface by Robert Buchanan. From The Guardian (8 February, 1898 - p.4) The Truth about the Game Laws, by J. Connell (W. Reeves, 8vo, pp. 85, 6d.), with an introduction by Robert Buchanan, is one of the publications of the Humanitarian League. The author writes of the injury which the game laws do to farmers and of the social evils to which they give rise. He condemns the “battue” in common with many “good sportsmen,” as the phrase goes. Other points on which he insists (they are less obvious evils of the game laws) are the alleged cruelty to sporting dogs in the course of their training and “the disturbance of nature’s balance” by the artificial fostering of certain animals and the suppression of others which have their undoubted uses. Of shooting pure and simple over a dog we find no condemnation. It is a useful little pamphlet about a subject to which the majority of people have given little thought, and upon which they have, therefore, scarcely formed an opinion.
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